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Understanding Close-up Photography: Creative Close Encounters with or without a Macro Lens

Tuesday, August 31st, 2010

  • ISBN13: 9780817427191
  • Condition: New
  • Notes: BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed

Product Description

In Understanding Close-up Photography Bryan Peterson turns his attention to a topic that is an ongoing favorite with photographers. But where most macro photography books focus on capuring subjects in nature, Peterson promises to go beyond, teaching you to photograph a range of subjects from animals and plants from the garden, beach, or mountains to objects found in the kitchen, supermarket, even the junkyard. In addition to information on equipment, exposure, light, and composition, his book will feature elements of technique that go beyond the norm, teaching you to shoot not just what is generally considered close-up, but to go even closer to the point of abstraction. He will also show you how to produce the intimacy of a close-up within a larger shot–how to capture the look in your subject’s eyes without compromising the clarity of the surrounding scene. And as always, Peterson offers his signature touch with his personal terminology: in what he likes to call “Pop Junk” he shows how combining creativity with the right digital technology can turn close-up photos of the most ordinary objects into surprising pieces of art.

Understanding Close-up Photography: Creative Close Encounters with or without a Macro Lens

7 Amateur Wedding Photographer Tips

Saturday, August 14th, 2010

Beg, borrow, hire or steal an extra camera for the day – set it up with a different lens. I try to shoot with one wide angle lens (great for candid shots and in tight spaces (particularly before the ceremony in the preparation stage of the day) and one longer lens (it can be handy to have something as large as 200mm if you can get your hands on one – I use a 70-200mm).

Get a little creative with your shots. While the majority of the images in the end album will probably be fairly ‘normal’ or formal poses – make sure you mix things up a little by taking shots from down low, up high, at wide angles etc.

One thing that I’ve done at every wedding that I’ve photographed is attempt to photograph everyone who is in attendance in the one shot. The way I’ve done this is to arrange for a place that I can get up high above everyone straight after the ceremony. This might mean getting tall ladder, using a balcony or even climbing on a roof. The beauty of getting up high is that you get everyone’s face in it and can fit a lot of people in the one shot. The key is to be able to get everyone to the place you want them to stand quickly and to be ready to get the shot without having everyone stand around for too long. I found the best way to get everyone to the spot is to get the bride and groom there and to have a couple of helpers to herd everyone in that direction. Read more on how to take Group Photos.

When shooting outside after a ceremony or during the posed shots you’ll probably want to keep your flash attached to give a little fill in flash. I tend to dial it back a little (a stop or two) so that shots are not blown out – but particularly in backlit or midday shooting conditions where there can be a lot of shadow, fill in flash is a must. Read more about using Fill Flash.

Show them your work/style. Find out what they are wanting to achieve, how many shots they want, what key things they want to be recorded, how the shots will be used (print etc). If you’re charging them for the event, make sure you have the agreement of price in place up front.

One more piece of advice that someone gave me on my own wedding day. ‘Things will Go Wrong – But They Can be the Best Parts of the Day’. In every wedding that I’ve participated in something tends to go wrong with the day. The best man can’t find the ring, the rain pours down just as the ceremony ends, the groom forgets to do up his fly, the flower girl decides to sit down in the middle of the aisle or the bride can’t remember her vows.

Weddings are about celebrating – they should be fun. The more fun you have as the photographer the more relaxed those you are photographing will be. Perhaps the best way to loosen people up is to smile as the photographer (warning: I always come home from photographing weddings with sore jaws and cheeks because of of my smiling strategy).

As a coordinator, Wendy Stoller, has been a guest in many weddings and has collected a series of heart feltExamples of Wedding Speeches. For some inspiration, visit and listen.

Guide For Buying Digital Camera Lens

Sunday, August 8th, 2010

Canon is a top camera company that produces not just cameras but accessories. Canon lens are made to be interchangeable with most cameras. Camera Lens are an essential tool to the photographer. Each lens provides a different service to the user. Some of the more common uses are: to get a closer shot, color balance, and other visual effects.

This means more light enters the camera. Since it begins to collect additional light, a type of lens that allows you to open to a wider aperture also enables you to have a faster shutter speed. Such feature is essential in low lighting conditions to obtain sharp images, especially through a handheld camera.

When shopping for a Digital SLR Camera people often overlook or skimp on the camera’s lenses. Camera Lenses serve as the digital SLR cameras “eye,” the lens determines what and how your camera will see your subject and how well that view is transmitted to the camera’s sensor chip for recording.

It is the actual distance in-between the focal lane of the lens and the rear element, measured in millimeters (mm). This is where the light’s parallel beams enter the lens converging onto a point. It determines the viewing angle of the lens. It is one of the mechanisms that control the actual “amount of light” passing through the lens towards the image sensors. It is also referred as “f-stops,” like f/2/8. The smaller the number, the larger the opening.

Zoom Lenses are for those wishing to get action photos, the best would be the “telephoto lens” which ranges from 100mm up to 300mm. This is due to the DSLRs crop factor. There is not much zooming needed. A good example would be Nikon D40 which has a 200mm type of telephoto lens that can turn into a 300mm one.

Prime lenses are fixed focal length lenses like a 50mm 1.4f lens. To zoom with these types of lenses you need to use your feet and to get closer or farther away from the subject. Traditionally prime lenses are sharper and faster then zoom lenses. If you are on a budget you can pick up some amazing used older prime lenses off eBay or your local camera store.

Learn more about Canon EF 70-300mm f/4-5.6 IS USM Lens for Canon EOS SLR Cameras . Stop by Ken Dragki’s site where you can find out all about Canon EF 70-300mm f/4-5.6 IS USM Lens for Canon EOS SLR Cameras and what it can do for you.

categories: camera,lens,lenes,canon,digital,electronics,hobbies,travel

What Lens Is Right For Your Camera

Sunday, August 8th, 2010

This particular lens is wide open on all the necessary focal lengths and soft. Just because it is soft, it does not necessarily mean that it is not sharp because it can actually zoom from 70 right up to 300 mm. Today, this particular lens is being widely used by professional photographers all over the world as it is perfect for shooting different ranges of photography, such as nature, people, pets, and even portraits.

The first thing to consider when choosing your new lens is the focal length you want. The focal length is given in millimeters, and specifies whether the lens is a wide angle or telephoto. Both have their advantages and disadvantages.

Wide-angle on the other hand is fine for nature photography when you can capture more of the landscape. They’re usually good both in brightness and depth of field, and are usually physically smaller and lighter than telephoto lenses.

For most, the most appropriate would be a zoom lens. Then you get several focal lengths in the same lens and therefore let you get away with fewer lenses to meet your needs. Zoom lenses have always two focal lengths specified, for example 18-55 mm, which shows how much zoom range the lens has.

Wide-angle on the other hand is fine for nature photography when you can capture more of the landscape. They’re usually good both in brightness and depth of field, and are usually physically smaller and lighter than telephoto lenses. If you want this translated into compact camera language, you can just divide the largest number by the smallest, which in the 18-55 mm case gives a zoom of about 3x.

The best asset that digital lenses bring with them is the clarity and quality of images produced. Since natural photography mostly involves talking pictures at all times of the day, digital lenses prove very effective during odd timings. They make the shot look very natural even during dusk and the clarity in those shots surprises the best of photographers. Lenses ensure that distance too is no deterrent towards getting a good shot.

Looking to find the best deal on Canon EF 70-300mm f/4-5.6 IS USM Lens for Canon EOS SLR Cameras , then visit us to find the best advice on Canon EF 70-300mm f/4-5.6 IS USM Lens for Canon EOS SLR Cameras for you.

categories: camera,lens,lenes,canon,digital,electronics,hobbies,travel

A Digital Camera Lens Review

Sunday, August 1st, 2010

Those who are new to photography might want to do a little bit of research to find out what they might need. Lenses may not be something they will need to worry about yet, especially if they are just starting out.

It is also a good idea to visit a store that specializes in cameras and lenses that go with them. Talk to the salespeople there, and get all of your questions answers. Find out about pricing too. Usually the higher prices are the more professional cameras.

If you get the “fixed-length lens”, there is a tendency that you will be required to move around when getting your shot. Of course, over a certain time, this will already help you make better compositions. Prime lenses also possess a wider type of maximum aperture, making it easier to get sharper shots, especially under low lighting.

On a digital SLR camera the focal length of the lenses measures the distance between the lens and the image sensor, measured in millimeters. Lenses can be classified into subgroups like prime, macro, wide angle, normal, telephoto, and zoom lenses. They are also rated in regards to f-stop or speed an example would be a F2.0 50mm lens or a 1.4F 80mm lens. We will explain this later in this article.

Lenses with long focal lengths 100mm and higher are called telephoto lenses. A long focal length seems to bring the subject closer to you and increases the subject’s size in the frame. Telephoto lenses also give your subjects a graphic look and flatten out your subject. These lenses are my short stroke brushes.

Zoom lenses can give you flexibility and versatility all in one lenses. When buying a zoom lens try and get one that is made of glass and is the fastest you can afford, you will not regret it. Prime Lens should possess a longer type of zoom lens or a lone focal length between 35mm up to 85mm.

Want to find out more about Canon EF 70-300mm f/4-5.6 IS USM Lens for Canon EOS SLR Cameras , then visit Ken Dragki’s site on how to choose the best Canon EF 70-300mm f/4-5.6 IS USM Lens for Canon EOS SLR Cameras for your needs.

Nikon D3000 10.2MP Digital SLR Camera with 18-55mm f/3.5-5.6G AF-S DX VR Nikkor Zoom Lens

Saturday, July 24th, 2010

  • 10.2-megapixel DX-format imaging sensor for prints up to 20 x 30 inches
  • Includes 3x 18-55mm Zoom-Nikkor VR Image Stabilization lens
  • Nikon EXPEED image processing; in-camera image editing and Active D-Lighting
  • 3.0-inch color LCD screen; 170-degree wide-angle viewing
  • Capture images to SD/SDHC memory cards (not included)

Product Description
Breathtaking digital SLR image quality and easy operation highlight the 10.2-megapixel D3000-Nikon’s friendliest D-SLR ever. Compact and capable, the D3000 is compatible with a broad range of world-famous NIKKOR lenses and includes the versatile 3x, 18-55mm Zoom-NIKKOR with Silent-Wave Motor autofocusing and Nikon VR image stabilization to combat picture blur caused by camera shake for sharper handheld pictures. Special moments are captured faithfully at up to 3 frames-per-second and displayed on a bright, 3-inch LCD monitor. The D3000′s split-second shutter response eliminates the annoyance of shutter lag. To further simplify picture-taking in special situations such as portraits, sports, landscapes, and more, the D3000 features icon-identified Scene Modes that deliver beautiful results automatically in otherwise complex situations. Additional Nikon technologies elevate picture quality and guard against picture-taking mistakes. Fast, accurate 11-point autofocus delivers razor sharpness. 3D Color Matrix Metering II and Nikon EXPEED image processing work with an exclusive Scene Recognition System for precise automatic exposures and rich, vivid color. Making the D3000 an even smarter choice are its exclusive Retouch functions for creative fun and the onboard Guide Mode that’s ready to lend a reassuring hand to take the pictures you’ve always wanted.

  • 10.2-Megapixel DX-format Imaging Sensor
    Delivers extraordinary image quality for breathtaking prints up to 20 x 30 inches.
  • Includes 3x 18-55mm Zoom-NIKKOR VR Image Stabilization Lens
    Legendary NIKKOR optical quality and fast, accurate autofocus means vivid color, striking contrast and crisp detail, while VR image stabilization assures your sharpest pictures ever.
  • Nikon’s Smallest D-SLR
    Beautifully styled-Ready to go where life takes you.
  • Easy-To-Use-Featuring Nikon Guide Mode
    Intuitive controls and the on-board Guide Mode assist you every step of the

    Nikon D3000 10.2MP Digital SLR Camera with 18-55mm f/3.5-5.6G AF-S DX VR Nikkor Zoom Lens

  • Canon EF-S 55-250mm f/4.0-5.6 IS Telephoto Zoom Lens for Canon Digital SLR Cameras

    Monday, May 31st, 2010

    • Focal Length & Maximum Aperture: 55-250mm F/4-5.6
    • 12 Elements In 10 Groups, Including One UD-glass Element
    • Focus Adjustment: DC Motor, Gear-driven(front Focusing Design)
    • Closest Focusing Distance: 3.6 Ft./1.1m

    Product Description
    This telephoto zoom lens is designed with Canon’s Optical Image Stabilizer technology while retaining compactness and lightness, in response to demands of photographers. This high zoom ratio lens is equivalent to a focal length of 88-400mm in the 35mm format (when used on Canon EOS cameras compatible with EF-S lenses), and the image stabilizer effect equivalent to a shutter speed about 4 stops faster than the same size lens without Image Stabilizer. In other words, if the slowest shutter speed you could formerly hold a 250mm lens steadily was 1/250th of a second, with Canon’s 4-stop stabilization correction, you could hand-hold at shutter speeds as slow as 1/15th of a second. It also uses a UD-glass lens element to correct chromatic aberration for excellent image quality throughout the zoom range. This new EF-S telephoto lens with great features delivers excellent performance at an affordable price for all photographers.Amazon.com Product Description
    Incorporating Canon’s Optical Image Stabilizer technology, this Canon 55-250mm telephoto zoom lens captures long distance, low-light shots far better than many comparable lenses, helping you photograph the far-off action of athletes or zoom in for an intimate portrait with a blurred background. The high-zoom-ratio lens is equivalent to a focal length of 88-400mm in the 35mm format (when used on Canon EOS cameras compatible with EF-S lenses). More significantly, the image stabilizer effect creates an equivalent shutter speed of roughly four stops faster than the same size lens without an image stabilizer. In other words, if the slowest shutter speed you can hold a 250mm lens steadily is normally 1/250th of a second, this Canon lens will let you hand-hold shutter speeds as slow as 1/15th of a second. The lens also boasts a UD-glass lens element to correct chromatic aberration to create excellent image quality throughout the zoom range. Delivering an excellent performance at an affordable price for all photographers, the 55-250mm lens carries a one-year warranty.

    Specifications

    • Focal length: 55-250mm
    • Maximum aperture: f/4 to f/5.6
    • Lens construction: 12 elements in 10 groups, including one UD-glass element
    • Diagonal angle of view: 27 degrees (at 50 feet) to 6 degrees (at 15 feet), with APS-C image sensors
    • Focus adjustment: DC motor, gear-driven (front focusing design)
    • Closest focusing distance: 3.6 feet (0.31x maximum close-up magnification)
    • Filter size: 58mm
    • Dimensions: 2.8 inches in diameter and 4.3 inches long
    • Weight: 13.8 ounces
    • Warranty: 1 year

    Canon EF-S 55-250mm f/4.0-5.6 IS Telephoto Zoom Lens for Canon Digital SLR Cameras

    Canon EOS Rebel T1i 15.1 MP CMOS Digital SLR Camera with 3-Inch LCD and EF-S 18-55mm f/3.5-5.6 IS Lens

    Sunday, May 9th, 2010

    • New 15.1-megapixel CMOS sensor with DIGIC 4 Image Processor
    • Includes Canon EF-S 18-55mm f/3.5-5.6 IS lens
    • Full HD video capture at 1920 x 1080 resolution; HDMI output
    • 3.0-inch Clear View LCD; Live View Function for stills (Quick, Live and Face Detection AF modes) and video
    • Capture images and video to SD/SDHC memory cards (not included)

    Product Description
    The Journey Continues. Canon’s new EOS Rebel T1i is packed with features, both refined and new. In addition to its admirable performance with an all-new 15.1 Megapixel Canon CMOS sensor, DIGIC 4 Image Processor, a 3.0-inch Clear View LCD with anti-reflective and scratch-resistant coating, and compatibility with the EOS System of lenses and Speedlites, the EOS Rebel T1i adds remarkable Full HD video capture at resolutions up to 1920 x 1080. An HDMI port allows for quick connections to high definition TVs and monitors for easy viewing of your stills and video. The entire operation is simple and easy even if you are a beginner. You’ll have uncompromised EOS Digital performance with power and flexibility right in the palm of your hand.

    High Resolution Still Capture
    New 15.1 Megapixel CMOS sensor with DIGIC 4 Image Processor for faster processing of fine detail and natural color reproduction, 14-bit A/D conversion for smooth color tones and gradations.

    Canon’s CMOS (complementary metal oxide semiconductor) sensor captures images with exceptional clarity and tonal range and offers the most pixels in its class. It offers many of the same new technologies as used by Canon’s professional cameras to maximize each pixel’s light gathering efficiency. Its APS-C size sensor creates an effective 1.6x field of view (compared to 35mm format). Canon’s DIGIC 4 Image Processor dramatically speeds up all camera operations for intuitive operation and offers improvements in both fine detail and natural color reproduction. It works in concert with the EOS Rebel T1i’s image sensor to achieve unprecedented levels of performance in all lighting situations.

    DIGIC 4 Image Processor
    With the EOS Rebel T1i, analog to digital signal conversion is executed by a 14-bit processor, which generates digital data with incredibly smooth tones. A feature that originally appeared in top-of-the-line pro digital SLR cameras, the 14-bit conversion gives incredibly smooth transiti

    Canon EOS Rebel T1i 15.1 MP CMOS Digital SLR Camera with 3-Inch LCD and EF-S 18-55mm f/3.5-5.6 IS Lens